{"title":"Rockish","description":"","products":[{"product_id":"bridge-city-sinners-heres-to-the-devil","title":"Bridge City Sinners - Here's to the Devil...","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom the misty, pine-covered hills of the Pacific Northwest hail the Bridge City Sinners, who span the continuum from prohibition era jazz to Appalachian death folk. This traditional string band line up bends the meaning of the word genre, Playing festivals from Punk Rock Bowling, to Muddy Roots, to Oregon’s Bluegrass String Summit. They started their journey by busking on sidewalks across the country and  now this supergroup of musicians find themselves on the national tour circuit. The Sinners still hold true to the DIY mentality of putting albums out on a self made record label, Flail Records. With talented musicianship and a punk as fuck live show, this is one band you don’t want to miss.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 400px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=599540900\/size=large\/bgcol=333333\/linkcol=ffffff\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bridgecitysinners.bandcamp.com\/album\/heres-to-the-devil\"\u003eHere's to the Devil by Bridge City Sinners\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Clear with pink splatter. Limited to 200","offer_id":42058231349400,"sku":"","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Rosey Test Press. 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If you are a fan of post-hardcore, indie rock, or alternative rock music, do yourself a favor and dig into this absolutely perfect album.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThree variants of the first press!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIntroducing SPICE. The debut album from members of Ceremony and Sabertooth Zombie featuring the singles \"All My Best Shit\" and \"First Feeling.\" Nine tracks of driving and melodic alternative rock for fans of Fugazi, Guided by Voices, and Wire.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs a collective thought, SPICE’s self-titled debut album offers a deliberate isolation of pain as interpreted through different vehicles. Less than 30-minutes in length, the record diverts from a singular mood, tempo, or delivery, instead focusing on orchestrating emotional drain as single impulses—fast, slow, driving, simple, and layered—that coalesce in their machinations. At its core, SPICE’s debut is wired together by brawny and brittle guitars, lock-groove rhythms, and vocals announce each moment and mood. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFormed in 2018 and based across California, each members’ roots are in the North Bay of San Francisco. Comprised of Ross Farrar (vocals) and Jake Casarotti (drums), both of Ceremony, along with Cody Sullivan (bass), Ian Simpson (guitar), and Victoria Skudlarek (violin), SPICE’s sound pulls from the sense of melody and drive inherent to Bay Area pedigree, peppered with modernity and awash with an anthemic haze. The hook is in the connection as much as melody, with each song building its inner narrative and exploration of affliction.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTraversing guitar-driven indie-pop and call-to-action impulse, SPICE balances their urgency by interspersing violin melodies and layers, creating depth without oversaturating the heart of each song. Building complexity with laser focus, Spice shares the authoritative drive of Jawbreaker, J Church, The Horrors, and Fugazi, set in their own world of unrest. The treatment of each song is a statement that informs the whole - anecdotes that can bleed slowly or swirl quickly. In a sense, the album itself is an entire song, with each track becoming the verses, choruses, and interludes that narrate its intent. Ending with the final track they workshopped for the album titled “I Don’t Wanna Die in New York,” the album ends with a punch before winding back into meditation. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHoned over late nights at Panda Studios in Fremont, California with producer Sam Pura (Basement, The Story So Far, Self Defense Family), SPICE spent hours tweaking it until it became a little world formed by what they refer to as “the power of groupthink.” Sprinkled with field recordings—audio snapshots from the member’s every-day-lives—the record offers an intimate twist that builds on its theme of a single thread that connects everything with continuity, making it a single organism with as many depths as questions.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"1st press. 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As bandleader of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWooden Shjips\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand one half of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMoon Duo\u003c\/strong\u003e, Johnson has continually charted new cosmic paths that expand on the language of the genre. With\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRose City Band\u003c\/strong\u003e, Johnson’s songwriting and beautiful guitar lines take center stage, the veil of psychedelia notably drawn back. While his vocal treatment would be recognizable to any Wooden Shjips fan, the sparseness of the instrumentation lays bare the beauty of his writing. Shimmering guitar lines are free to shine, buoyed by driving rhythms. New to the mix are arrangements and instruments drawn directly from classic country, resulting in songs with more than a hint of twang. The aptly named \u003cem\u003e\u003cstrong\u003eSummerlong\u003c\/strong\u003e\u003c\/em\u003e, born of Johnson’s own fondness for the season, delivers an emotional lift—an expression akin to the joy of getting out there on a warm day, be it gathering for a BBQ, hopping onto a bike, leaping into a swimming hole, or simply reading in a park.\u003c\/p\u003e\n\u003cp\u003eRose City Band started purely as a recording project, with Johnson's role mostly obscured for the self-titled debut album. Released with no promotion, in the style of private press records, it was a liberating act, a focus on music without any expectations. Explaining it with a chuckle, Johnson elaborates, “I always would threaten to my friends that I’m gonna start a country rock band so I can retire and just play down at the pub every Thursday night during happy hour. I love being able to tour and travel, but I also like the idea of having a local band … more of a social music experience.” Freedom from expectation and obligation gave Johnson the space to experiment with new instrumentation and arrangements. The introduction of lap steel, mandolin, and jaw harp enhance Johnson’s lean guitar work with radiant overtones, placing \u003cem\u003eSummerlong\u003c\/em\u003e more overtly within the country tradition than its predecessor. Work on the album began at Johnson’s home studio in Portland during the summer, but, interrupted by touring, it would not be finished until the winter season. The dark isolation of winter and the pining for summer’s easier days can be felt in the album’s few quieter moments. \u003cem\u003eSummerlong\u003c\/em\u003e was mixed by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn McEntire\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eStereolab\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBroken Social Scene\u003c\/strong\u003e, \u003cstrong\u003eTortoise\u003c\/strong\u003e) at his newly minted Portland\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSoma Studios\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand mastered by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAmy Dragon\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eat\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTelegraph Mastering\u003c\/strong\u003e, also based in Portland.\u003c\/p\u003e\n\u003cp\u003eBuoyant and joyous, \u003cem\u003eSummerlong\u003c\/em\u003e is a captivating listen that leaves the listener yearning for more. The record is an ode to freedom, born of a musician stepping out of all routines and whose own liberation is communicated so completely in his music. \u003cem\u003eSummerlong\u003c\/em\u003e is a record that, taken in its entirety, is an emphatic statement on the songwriting power of Ripley Johnson. Johnson’s joy in every aspect of this album is delightfully infectious.\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 400px; height: 406px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=792494964\/size=large\/bgcol=333333\/linkcol=e99708\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/rosecityband.bandcamp.com\/album\/summerlong\"\u003eSummerlong by Rose City Band\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Default Title","offer_id":41676116623512,"sku":"","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/products\/523_1600.jpg?v=1650410082"},{"product_id":"wooden-shjips-v","title":"Wooden Shjips – V.","description":"\u003cp\u003e\u003cem\u003eAvailable on red wax\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWooden Shjips\u003c\/b\u003e, long-time leaders of the contemporary psychedelic movement, expand their sound with\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eV.\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThe quartet of\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eOmar Ahsanuddin\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDusty Jermier\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eNash Whalen\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRipley Johnson\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eaugment their already rich sound with laid back, classic summer songs. The songs were written during the summer of 2017 by singer and guitarist Ripley Johnson as an antidote to the pervasive anxiety both political and natural. As Ripley tells it, “We had huge forest fires just outside of Portland and there was intense haze and layers of ash in the city. I was sitting on my porch every evening, watching ash fall down like snow, the sky looking like it was on fire. It was an apocalyptic feeling. Summer in Portland is usually really chill and beautiful, and we were working on a ‘summer record,’ but the outside world kept intruding on my headspace.”\u003cspan class=\"s2\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003eV.\u003c\/i\u003e, a graphic representation of the Peace sign, seemed apt to an album focused on the power of peace, beauty and resistance. The music is a balm against the noise and negativity.\u003c\/p\u003e\n\u003cp\u003eThe first single “Staring At The Sun” is a nearly 8 minute laid back, slowly building narrative, whose lyrics tell of a gentle push and pull between the desire for sun and escape and the tug of anxiety, with peaceful resistance winning the day and guiding the tone. The restless traveler Johnson gives us a few of his signature traveling songs such as “Eclipse,” and “Red Line,” both showcases for the stellar rhythm section of Omar Ahsanuddin and Dusty Jermier. Their unparalleled sense of groove and restraint leaves ample room for Nash Whalen’s keyboard flourishes. There is movement and urgency in these tracks without aggression, a rolling foundation of rhythm over which Johnson’s voice floats and elongated melodic guitar lines soar.\u003c\/p\u003e\n\u003cp\u003eEach song shimmers with a distinctly Wooden Shjips sound, a relaxed summer vibe. This was a conscious choice, an atmospheric goal that influenced nearly every detail: the tones, the delay types and reverbs used, as well as the synthesizer elements that color the songs. The basics were recorded by Jason Powers at Types Foundry Studio in Portland. The guitars and vocals were largely recorded in Ripley Johnson’s comfortable home studio. The album was mixed by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCooper Crain\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eCave, Circuit Des Yeux\u003c\/strong\u003e) who the band has formed close bonds with on tour. The instructions were simple\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“We told Cooper to keep it really fat but to feel free to play around with the other elements, make a nice headphone mix with a lot of movement,” said Ripley, “I wanted it to be floaty because that’s kind of where my headspace was at the time.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe band’s members collectively share a love of classic rock from the Velvet Underground to Neil Young, as well as more overt love of the San Francisco scene of the 60’s. This commonality in their formative musical years binds them even as they live in different cities.\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eV.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efinds Wooden Shjips embracing the emotions behind those sounds; peaceful defiance and opposition, while creating a sound and counter narrative to today’s hostilities that is wholly their own. Wooden Shjips has with\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eV.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecreated the most concise, laid back songs of their career. Their music is a balm of sorts, a respite from the insanity that, through its regenerative abilities, empowers continued, calm resistance. A reminder of the simple power of peace and beauty. Wooden Shjips, through\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eV\u003c\/em\u003e., have demonstrated the power of beauty and the power in creating it even while experiencing overwhelming dread. It is the perfect summer album, brimming with optimism and a peaceful energy, aptly timed for release at the height of spring.\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 400px; height: 373px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=288507213\/size=large\/bgcol=333333\/linkcol=4ec5ec\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/woodenshjips.bandcamp.com\/album\/v\"\u003eV. by Wooden Shjips\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Default Title","offer_id":41676193333400,"sku":"","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/products\/464_900.jpg?v=1650412376"},{"product_id":"carson-the-wilful-pursuit-of-ignorance","title":"Carson – The Wilful Pursuit Of Ignorance","description":"\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eAvailable on clear wax, limited to 100 copies, hand-numbered\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe stoner rock trio from Switzerland and New Zealand?\u003cbr\u003eCarson‘s journey began in New Zealand and moved with singer\u003cbr\u003eand guitarist Kieran Jones to Lucerne in Switzerland.\u003cbr\u003eAfter almost four years of silence, Carson came back last autumn\u003cbr\u003ewith an incredible single, Dirty Dream Maker, followed by another\u003cbr\u003egreat tune this February, The Last Laugh.\u003cbr\u003eThese two singles anticipate a powerful and deep journey\u003cbr\u003einto our dark souls with the new album coming up this April,\u003cbr\u003ecalled of course: The Wilful Pursuit of Ignorance. 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She lives and works in San Miguel, New Mexico by way of Denver, Colorado, where she spent the better half of the past decade developing her experimental pop project. As a self taught guitarist and recording engineer, Midwife explores dark subject matter in her anthemic, soft-gaze hits. Self-described as “Heaven Metal,” or emotive music about devastation - catharsis.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen 2020 began, Johnston had several national and international tours planned, but the pandemic shifted her focus back to recording, and back to her internal landscape. Midwife’s third full length record, \u003cem data-mce-fragment=\"1\"\u003eLuminol\u003c\/em\u003e, was written and produced during quarantine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLuminol is a chemical used by forensic investigators to reveal trace amounts of blood left at a crime scene. 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Experimenting thoroughly with musical elements that anyone who grew up around Latin American culture will have engrained in their psyche such as calypso, cumbia, salsa, bossa nova and the distinct afro-Caribbean rhythms among other sounds that have left a cultural imprint that represent the places where the musicians grew up and formed their musical identities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“\u003cem data-mce-fragment=\"1\"\u003eTodo Bailarlo\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eis more than just a transformation- it represents a reconnection to our origins -the act of opening the door to our souls- Where on the on the other side of it our real purpose was revealed. We humbly wish to offer some of these learnings as tools to help us collectively heal from the suffering and hardships of past times. The world as we once knew it is ready to usher in something new, to take a leap of faith into a new era and we want to make it as welcoming as possible to anyone who becomes acquainted with our art to find comfort in it- we wish to offer a map. A map well-known routes and with new paths taken. Paths that may feel unfamiliar but have been tread by humanity for a very long time,\" said Juan Chi\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"When we were creating (La Flor Del Tiempo) we were trying to transform a samba rhythm into a more ritualistic\/drum circle feel. 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Meeting each other while working on Terrence Malick’s ‘Song to Song’, the pair were immediately taken by the city’s bustling small clubs and honky-tonk scene, and the fact that there was always an instrument within reach, always someone to play alongside. \u003c\/p\u003e\n\u003cp\u003eComing alive in this newly discovered landscape, Colwell and Salisbury formed Sun June alongside Michael Bain on lead guitar, Sarah Schultz on drums, and Justin Harris on bass and recorded their debut album live to tape, releasing it via the city’s esteemed Keeled Scales label in 2018. The band coined the term ‘regret pop’ to describe the music they made on the ‘Years’ LP. Though somewhat tongue in cheek, it made perfect sense ~ the gentle sway of their country leaning pop songs seeped in melancholy, as if each subtle turn of phrase was always grasping for something just out of reach.\u003c\/p\u003e\n\u003cp\u003eSun June returns with Somewhere, a brand new album, out February 2021. 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Guitarists David Noonan and Mete Kalyoncuoglu make their six-strings shriek and wail, the sounds produced sounding like everything from whirring machinery to horror movie monsters. Behind them, drummer Shane Maguire uses the rim of his drums almost as much as the skins, providing a clattering, metallic backbeat. Most of the melodies on offer poke through from Rob Clarke's inventive, nodding bass lines. Then there's Katie on vocals; she's the transfixing focal point of the band. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcross its 10 tracks, the album presents a coherent style and ethos - those scything guitars, Katie's magical vocals - but still incorporates a wide and untethered vision. 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Sonically gorgeous and emotional, this is one of our favorite releases of 2022.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable on 2LP yellow wax with a 28-page booklet featuring lyrics and photography. Also includes a bonus 12” single in a unique picture sleeve, featuring two alternative versions of album tracks, including a version of Reveal recorded with Emma Ruth Rundle.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e40 Watt Sun returns with Perfect Light; the third studio album created by Patrick Walker under the moniker. Perfect Light will be released digitally via Cappio Records, and physically via Svart Records on both CD and vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe expertly crafted, personal songs range from sparse, unaccompanied voice and guitar, through gently layered instrumentation featuring piano and delicate brush work, to moments more reflective of the warm, subtle overdrive of the band's previous album, Wider than the Sky (2016). Like Patrick's best work, the songs quietly build with emotion, and ache with a darkness and melancholy beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePerfect Light is the first 40 Watt Sun album created without a full, formal band structure. Patrick enlisted an array of accomplished musicians to fulfil his vision for the album, including, among others, Andrew Prestidge and Roland Scriver (The Osiris Club), Ajit Gill (Vertaal), Lorraine Rath (Amber Asylum\/Worm Ouroboros), and pianist\/composer Chris Redman.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlongside Patrick's poignant and emotive vocals, his poetic lyrics remain central to the allure of the songs, with their composition strong enough to be evocative even when absorbed aside from the music. With no intention to make deliberately dark music, the album contains shards of hope and light to pierce through the pensiveness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Default Title","offer_id":41960051507352,"sku":"","price":46.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/products\/SVART305LP_40_watt_sun_LP_mockup_yellow_fix.webp?v=1661468608"},{"product_id":"ianai-sunir-yellow-wax","title":"IANAI - Sunir (yellow wax)","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePUT THIS IN YOUR DEN to add to your \u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003egenre-defying, hybrid music collection. While difficult to describe, IANAI's wonderful album Sunir perfectly encapsulates what we like to showcase at Den of Wax. \u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWe think you'll dig this if you're intrigued by the idea of Sigur Rós collaborating with Wardruna and Deafheaven. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable on 2xLP, limited yellow vinyl, with gatefold sleeve\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo speak to Trevenial, the single-entity, multi-instrumentalist voice from the other side of the veil, is to speak to a spirit that transcends the veil of this world and crosses borders beyond time and place. But you will not speak to Trevenial, but hear the words put forth in IANAI. IANAI is the essence of music that will permeate culture and influence without thought of boundaries or convention. IANAI is mythos in the making.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith not much known of Trevenial’s identity or nature, IANAI’s music is imbued with flavors from indigenous musical cultures around the globe and clothed in darkly hued indie moods. Acting as a messenger between two worlds and IANAI is music carried from within through the ages. Now is the time to let the waking world hear it too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the first outset of the debut musical offering Sunir and the first single “Savoj Icoil”, IANAI abandons the typical notions of ice and frost in which it is depicted, and rather than desolation, offers a guiding force through the notes and words. While the physical manifestation of this album has been years in the making, IANAI decided to pierce the veil during a time when the world was imprisoned and suffering unimaginable loss.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs the album progresses, listeners transcend through the instrumentation of Scandinavia, Africa, Asia, Middle East and South America. And while IANAI walks a long path, winding through the earth, IANAI does not walk alone, but seeks to share and learn, collaborate and conceive, music and art. From celestial harmonies to earthly delights, IANAI’s music is a reflection of both the worldly and otherworldly. Channeled through the vessel of the spirit Trevenial, the music voices in tongues long forgotten, singing the songs of the sons of God and the daughters of men. In a language unspoken on this plane, yet unmistakable in its meaning, IANAI embodies the freedom we seek and the ability to achieve that fluidity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn his music, IANAI is joined by a cohort of musicians from the world music scene and classical orchestras but also people from modern bands such as: Massive Attack (UK), Client (UK), HIM (Finland), Sisters Of Mercy (UK), Theodor Bastard (Russia), Lord Of The Lost (Germany), Swallow the Sun (Finland), Souvenir Season (Germany) and The Rasmus (Finland).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe album Sunir will be released on June 6th on Svart Records. The album is produced by Jaani Peuhu (Swallow The Sun, Iconcrash, Mercury Circle) and mastered by Jaime Gomez Arellano at Orgone Studios (Ghost, Ulver, Paradise Lost).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom a time before time; before the ocean swallowed Atlantis and the named gods sat atop their mountains. When the ancient ones roamed free, unburdened, IANAI whispers through the boundary of legends.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith Sunir on the horizon, the question that remains is: when you hear IANAI, will you heed the call?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Default Title","offer_id":41960721449112,"sku":"","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/products\/4393629a03964b1f8.jpg?v=1661470754"},{"product_id":"serpentent-ancient-tomes-volume-i-mother-of-light","title":"Serpentent - Ancient Tomes, Volume I: Mother Of Light","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePUT THIS IN YOUR DEN if you always wanted to hear Chelsea Wolfe cover Kate Bush. Anne K. O'Neill's moniker Serpentent takes influences from a wide range of contemporary and legendary dark folk, goth, and classical musicians. She brings them into her own on this beautiful and dark record.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable on 2xLP deluxe black vinyl, gatefold sleeve, booklet\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eAncient Tomes, Volume 1: Mother Of Light\u003c\/em\u003e is the epic first album by dark folk songstress Anne K. O’Neill, under her Serpentent banner. As Serpentent, multi-instrumentalist and visual artist Anne K. O'Neill weaves a deep cinematic spell of gothic folk, combining elements of European folk music and neoclassical influences. Transfigured by her extraordinary, evocative vocal style, Serpentent’s Mother of Light is a lush saga.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnfastening her industrial roots, Serpentent sees O’Neill conjure monumental sonic narratives that are magnificently visual but fiercely vulnerable, her voice commanding an unconquerable presence. Emotionally charged, Serpentent sets the stage with songs of love and grief, magically distilled through eloquent landscapes of sound. Gothic classical neofolk or 80s-tinged neoclassical dark pop, only the listener can experience for themselves. Serpentent are that unique paradox, almost beyond genre, leaving you speechless and struggling to find words that can describe sheer beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith nods to Jung, Bataille, Camus, and Krishnamurti, Mother of Light’s themes serve as a rumination on the meanings of life and death making this debut Serpentent album an opus of philosophical observation. Featuring accompaniments by Joseph M. D'Auria on drums, Dylan Desmond on bass, and guest appearances from Lorraine Rath, Sasha taqʷšəblu LaPointe, Kakophonix, and Joy Von Spain, Mother of Light Together with artwork created by Anne K. O'Neill, Serpentent’s Mother of Light is an unflinching masterwork of artistry from cover to cover. O’Neill’s dark folk soundtracks, with her song-craft and voice bringing to mind Lisa Gerrard and Jocelyn Pook will appeal to fans of everything from Chelsea Wolfe, Darkher, Lindy-Fay Hella and Dead Can Dance to Emma Ruth Rundle, Enya, Mazzy Star and even Svart Records own Hexvessel. It’s hard not to believe that Serpentent is a prescient star whose moment has arrived. Mother of Light is a shining gem of darkness waiting to be discovered and explode into the mainstream. As explorer’s who have been there discovering many new artists as they emerge, take our word for it that Serpentent is one to seek out, to be there as the levee breaks. Allow Mother Of Light’s wave of life and death illuminate you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Default Title","offer_id":41963569086616,"sku":"","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/products\/4376629a03905b335.jpg?v=1661532165"},{"product_id":"florist-florist","title":"Florist - Florist","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePUT THIS IN YOUR DEN to throw on your table in the winter, when you're craving a slow meander through the woods. Lay yourself on the floor with headphones on and close your eyes. You're welcome...\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable on \"Deep Purple\" deluxe gatefold w\/ printed inner-sleeves\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Florist\" is the self-titled fourth full length record from upstate NY based indie folk band, Florist. \"Florist\" is the follow up to 2019's critically acclaimed \"Emily Alone\", and is the strongest album of the band's decade-long career; an immersive work that conveys the magic of the earth and of family, and the whole of the band’s heart.\u003c\/p\u003e\n\u003cp\u003eFor all of June of 2019, amid a hot and rainy summer, Emily Sprague (guitar, synth, vocals), Jonnie Baker (guitar, synth, sampling, bass, saxophone, vocals), Rick Spataro (bass, piano, synth, vocals) and Felix Walworth (percussion, synth, guitar, vocals) convened in a rented house in the Hudson Valley, to live and work together. It was the first time the quartet recorded that way, and for that long. \"In the past we'd meet up for a couple of days, or one day here and there,\" Sprague recalls. \"Living together for a month is a really big part of why the arrangements are the way they are, and also why the instrumentals are such a huge part of the record.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe result is 19 tracks that feel like the culmination of a decade-long journey, their fourth full-length album, but the first deserving of a self-titled designation. \"We called it Florist because this is not just my songs with a backing band,\" Sprague explains. \"It's a practice. It's a collaboration. It's our one life. These are my best friends and the music is the way that it is because of that.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/7EvfFPMMvMJ20olfdEkPBR?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Default Title","offer_id":41964046778520,"sku":"","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/products\/Floristpurple.jpg?v=1661538884"},{"product_id":"king-woman-celestial-blues","title":"King Woman - Celestial Blues","description":"\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePUT THIS IN YOUR DEN for Doom project from the lead singer of Whirr, Dalmation, and NGHTCRWLR. Brooding, ethereal doom rock.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003e\u003cem\u003eAvailable on blood red wax\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eKING WOMAN, the outfit featuring songwriter, vocalist and “tour de force of gloom and woe” (Rolling Stone) Kris Esfandiari, return with their eagerly-awaited sophomore album, Celestial Blues.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeeling compelled to reshape the biblical archetypes that once bound her, Esfandiari has created a theatrical tale of rebellion, tragedy, and triumph — a metaphor for her own personal experiences over the years — Celestial Blues was born.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEsfandiari sets a dramatic tone for the record with “Morning Star” echoing the primeval account of Lucifer's fall from grace. Esfandiari smugly whispers: “you know it could have been you \/ so don’t you dare judge the things that I do” — the fallen archangel in deceitful persuasion. Esfandiari is accompanied by the beastly drumming of Joseph Raygoza and Peter Arensdorf's heavy-laden guitar flooding empty spaces with great fervor— masterfully stirring the listener with every sparse, emotional pluck.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKING WOMAN once again takes us to church with hardcore gospel, “Coil\". “Five wounds you rape me \/ but I resurrect” declares Esfandiari in unhinged jubilation. Esfandiari desperately begs to be absolved in the crazed offerings of “Psychic Wound”, ultimately regaining a powerful reflection of herself after a\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eprovocative and tormenting dance with the Devil.\u003cbr\u003e\u003cbr\u003eCelestial Blues is at once a masterclass on crushing atmospheric doom, and at times a sobering take on the weightier sides of shoegaze. At the album's core, a palpable tension can be felt. Acoustic guitars soar before descending into a darkness of riff-heavy distortion. Drums build upon these moments and explode into a cacophonous groove. Esfandiari's voice remains at the forefront; somber moments lead to burning intensity and crescendo. This ebb and flow is constant.\u003cbr\u003e\u003cbr\u003eRecorded in Oakland, California by GRAMMY-nominated engineer Jack Shirley (Deafheaven, Amenra, Oathbreaker) Celestial Blues sees KING WOMAN take a daring step forward as one of the genre's luminaries, releasing one of the year's most evocative records.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1155069937\/size=large\/bgcol=333333\/linkcol=e32c14\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/kingwoman.bandcamp.com\/album\/celestial-blues\"\u003eCelestial Blues by King Woman\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Default Title","offer_id":41968796926104,"sku":"","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/files\/a2710254350_16.jpg?v=1698629966"},{"product_id":"the-builders-and-the-butchers-where-the-roots-all-grow","title":"The Builders And The Butchers - Where The Roots All Grow","description":"\u003cp\u003e\u003cem\u003eAvailable on 2xLP black wax, Limited to 300 copies\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRowdy folk-rock band based in Portland, Oregon. This album was recorded live at Mississippi Studios on 3\/21\/08. Mostly comprised of songs from the Builders' first two albums, this is full of rambunctious and heady singalong storylines crafted for you own private jamboree!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 400px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1193523975\/size=large\/bgcol=333333\/linkcol=e99708\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thebuildersandthebutchers.bandcamp.com\/album\/where-the-roots-all-grow\"\u003eWhere The Roots All Grow by The Builders and the Butchers\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Default Title","offer_id":41968811573400,"sku":"","price":37.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/files\/a1418575562_16_1.jpg?v=1711927974"},{"product_id":"kaelan-mikla-undir-koldum-nordurljosum","title":"Kælan Mikla - Undir Köldum Norðurljósum","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePUT THIS IN YOUR DEN for a statement piece. Difficult to categorize, the music is undeniably dark and beautiful. Like a great film, you'll find yourself discovering new things with each listen. While not the most complex, the packaging is absolutely stunning and perfectly complements the textures of the music.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable on 1st press cold blue wax with gatefold sleeve with commissioned designs by Førtifem. Triple lyric insert. Icy blue foil stamped cover.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBursting with the raw punk spirit and whimsical Icelandic visions which have fueled Kælan Mikla from the very start, Undir Köldum Norðurljósum takes the band’s unmistakable sound and presents it in a manner even more lush and engrossing than before. Cinematic layers of synth, ethereal vocals sung in their native tongue, spine-chilling screams, driving bass and programmed drums combine to pull the listener deeper than ever into Kælan Mikla’s world — a place of folklore and fairytales, magic and mysticism.\u003c\/p\u003e\n\u003cp\u003eUndir Köldum Norðurljósum features a guest appearance by Alcest, with whom Kælan Mikla toured Europe in early 2020.\u003c\/p\u003e\n\u003cp\u003eThe album artwork was created by graphic design duo Førtifem, known for their covers, posters, and merch for artists such as Emperor, Slipknot, Rammstein, and Carpenter Brut.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/09F0rcm5kcsmNBV5UX2HHd?utm_source=generator\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Default Title","offer_id":41990906314904,"sku":"","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/products\/KaelanMiklaUndirBlue.jpg?v=1662000940"},{"product_id":"santigold-spirituals","title":"Santigold - Spirituals","description":"\u003cp\u003e\u003cstrong\u003ePUT THIS IN YOUR DEN for Santigold's long-awaited return. Pulling from just about every genre imaginable, this record proves that the time away did nothing to damper her spirit. A little R\u0026amp;B, a whole bunch of indie pop, along with punk attitude, and a ton of heavy basslines - all make for a new classic Santigold record you'll want in your collection for years to come.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable on picture disc, limited to 7,500 copies. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpirituals\u003c\/em\u003e is \u003cstrong\u003eSantigold’s\u003c\/strong\u003e first full-length album since 2016’s 99¢, and was mostly recorded during the 2020 lockdown. “All of a sudden there I was with three small children out of school—just-turned-two-year-old twins and a six-year-old—I was cooking, cleaning, doing laundry and changing diapers from morning to night, with three little kids coming in and out of my bed throughout each night like musical chairs. I was losing touch with the artist me, stuck in a part of myself that was too small. I felt the other parts of me were shrinking, disappearing.”\u003c\/p\u003e\n\u003cp\u003eSantigold struggled but succeeded in defining a space in which she could center herself and collaborate virtually with producers and contributors: Rostam, Boys Noize, Dre Skull, P2J, Nick Zinner, SBTRKT, JakeOne, Illangelo, Doc McKinney, Psymun, Ricky Blaze, Lido, Ray Brady, and Ryan Olson.\u003c\/p\u003e\n\u003cp\u003e“Recording this album was a way back to myself after being stuck in survival mode. It wasn’t until I made the space to create that I realized I wasn’t only creating music but a lifeline,” she says. California was on fire, we were hiding from a plague, the social justice protests were unfolding. “I’d never written lyrics faster in my life. After having total writer’s block, they started pouring out. I decided to create the future, to look towards where we are going, to create beauty and pull towards that beauty. 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Toss this on your table, crack open some cold ones with someone special, and enjoy the evening (or day, or morning - no judgments here). Of course, if you're already a fan of Skinny Lister, as we are, the brews are optional. This music sounds good any hour of the day with any activity! Oh yeah, go see them live. What a show!\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cem\u003eAvailable on limited edition pink wax\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e‘A Matter Of Life \u0026amp; Love’ is the fifth studio album from Skinny Lister. 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While experimenting with production and vocal loops, this album has more edge and angst, reminiscent of their classics \u003cem\u003eSo Jealous\u003c\/em\u003e and \u003cem\u003eThe Con\u003c\/em\u003e. Plus, it is ice cream colored and that's just rad.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Neapolitan (chocolate, vanilla, strawberry) colored wax\u003c\/em\u003e\u003cem\u003e\u003cbr\u003e- 12\" Neapolitan LP in Gatefold Jacket\u003cbr\u003e- 18\" x 24\" LP exclusive poster\u003cbr\u003e- 12\" x 12\" printed inner sleeve\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTegan and Sara's 10th studio album, Crybaby, was recorded in Fall 2021 in Seattle and Los Angeles. Produced with John Congleton (Angel Olsen, Sharon Van Etten), Crybaby is a return to form, while also being something entirely new. Crybaby consists of songs about change, and never changing, and the nostalgia aching in both their bones. 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Released via\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGondwana Records\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e(Mammal Hands, Portico Quartet, Matthew Halsall, Hania Rani), in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTruly\u003c\/i\u003e, the young singer-songwriter has accomplished a body of work that is both sonically and lyrically wise beyond her years.\u003c\/p\u003e\n\u003cp\u003eCo-produced by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKier Stewart\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe Durutti Column\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efollowing Rose's collaborative endeavors with them on their album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eChronicle LX:XL\u003c\/i\u003e, the musician's song writing draws from a diverse palette of influences, including Building Instrument, Rachel Sermanni, Alabaster dePlume and Broadcast. Rose also professes to a love for beautiful, stripped back, piano based music, such as Dustin O'Halloran and label mate Hania Rani.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eTruly\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecame to exist due to a deep-routed need to create – even though its conception was interrupted as Caoilfhionn Rose\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003erecovered\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ein hospital\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003efrom an illness, she found strength within writing music. \"In Spring 2019 I took part in a gig swap with my good friend and fellow musician Kristian Harting who is from Denmark. We played several gigs in the UK but unfortunately the Denmark part of the tour was cut short as I was taken ill. I was hospitalized for several weeks and have taken the last year out to recover\" says Rose. \"I gradually returned to finishing my second album\" she continues. \"Coming back to creating after being unwell was challenging but also therapeutic. This record marks a difficult time of my life and writing it helped get me through that. I am really grateful to have music as an outlet.\" It may be this tremendously challenging period that has abetted its characterizing qualities.\u003c\/p\u003e\n\u003cp\u003eRose's beautifully restrained vocal is all at once soothing yet mesmerizing. She demands and holds attention through her evident talent yet hypnotizes the listener into a trance with her experimental tendencies. \"After being unwell, getting back to recording helped me recover my voice after not singing for so long. Finishing bits of songs, writing lyrics and recording vocals helped me get back on my feet and get better.\"\u003c\/p\u003e\n\u003cp\u003eLead single from the album – 'Flourish' – is an intoxicating song that meditates on being present in the moment, allowing peace to come to you. \"The song 'Flourish' is about looking forwards with hope and possibility, '\u003ci\u003elet it flow away, let it turn around and flourish\u003c\/i\u003e'. It's about finding peace and feeling wonder again\" says Rose about the track. \"'Flourish' hints at the ideas of what could be, how things can unfold if you let go 'and just be here'.\"\u003c\/p\u003e\n\u003cp\u003eA message of hope is instilled throughout the record, echoed again in 'Fireflies', a song inspired by a campsite in France, which became filled with fireflies at night. \"To me 'Fireflies' has a nostalgic and comforting feel. It's about feeling hopeful about the future '\u003ci\u003ethough there may be dark clouds the sun will always come'\u003c\/i\u003e. There are references to older lyrics I have written. The line '\u003ci\u003efree from all the chaos'\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a nod to a song I collaborated on with The Durutti Column. The song is about acknowledging the past and moving on as '\u003ci\u003etime is always healing'\u003c\/i\u003e.\"\u003c\/p\u003e\n\u003cp\u003eA recurring theme of reflection and being grounded in the present, acknowledging the past and looking forwards with courage is one that envelopes 'Truly', and is something that is echoed in its beautiful swelling flourishes and its tranquility – resonating with atmosphere, the album all at once sounds so large and yet so subdued. \"The line on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEvery Waking Minute;\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e'\u003ci\u003ewe forget what lies behind the eyes'\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis about remembering that everyone has their own things going on and challenges to face but we should '\u003ci\u003efeel every waking minute',\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ebecome aware of what's unfolding around us outside of our own stories. It's a self-reflective song really, reminding myself that 'life can take you by surprise', there are going to be ups and downs along the way\"\u003c\/p\u003e\n\u003cp\u003eElsewhere on the album, Rose explores the connection between nature and life on single\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTo Me\u003c\/i\u003e. \"I love going on long walks and the healing power of nature is a recurring theme in a lot of my lyrics. I have a very optimistic outlook and I find solace in the small things like being outdoors.\"\u003c\/p\u003e\n\u003cp\u003eCaoilfhionn's debut\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAwaken,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eco-produced with label mate Matthew Halsall,\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003esaw the singer, songwriter and producer tie together remnants of Manchester's musical past with its evolving present. Prior to this, the artist collaborated with one of her biggest musical influences, Vini Reilly of The Durutti Column. The musician worked with the Manchester band on four songs on their album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eChronicle LX:XL\u003c\/i\u003e. \"I've learnt a lot from collaborating with musicians like Vini Reilly, Matthew Halsall and my bandmates\" says Rose. \"This is reflected in my current style and approach to making music. I no longer just write as a therapeutic or reflective process; I can write more abstractly and outwardly.\"\u003c\/p\u003e\n\u003cp\u003eKier Stewart of The Durutti Column co-produced her latest offering,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTruly,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efollowing his band's collaborations with Rose. \"I befriended Kier after we worked together. Collaborating with The Durutti Column was my first experience of recording music with other people in a studio.\" Together, the pair have created something expansive yet fragile – and altogether unique. \"He's brought so much to this project\" she says. \"I feel Keir has brought out the best in the songs, adding really intricate and subtle details and effects. It was inspiring getting to work with Keir and I've learnt a lot from his approach of just experimenting and seeing what works.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Default Title","offer_id":42274659532952,"sku":"","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/products\/Truly-CaoilfhionnRose.jpg?v=1667509901"},{"product_id":"black-lung-dark-waves","title":"Black Lung - Dark Waves","description":"\u003cp\u003e\u003cstrong\u003ePUT THIS IN YOUR DEN for that stoney baloney good shtuff. Part psychedelic, part doom, all stoner rock with a tad of retro nostalgia, \u003cem\u003eDark Waves\u003c\/em\u003e checks all the boxes for your newest favorite heavy record.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable on purple wax limited to 450 or b\u003cmeta charset=\"utf-8\"\u003elack\/white\/red A-Side\/B-Side limited to 150\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe year 2019 marked significant changes for Baltimore psychedelic-doom trio, Black Lung. Following the release of their third album, Ancients, guitarist and founding member Adam Bufano amiably departed the band and in November 2019, was replaced by guitarist Dave Fullerton. Just four months later, the reconfigured trio’s plans for touring in support of Ancients were canceled as the world entered COVID-19 lockdown. It was time to reconcile their touring ambition with the reality that live music was effectively shut down indefinitely. In the existential dread, loss and uncertainty of the global pandemic, with the backdrop of malignant fascism and cultural enmity in the USA, Black Lung began writing the songs that would comprise their next record. There is no question that \u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDark Waves\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e, Black Lung’s newest release via Heavy Psych Sounds Records, was conceived in hostile times. Dave Cavaliers lyrics reflect this hostility. Songs like ‘The Cog’ and ‘Mad King’ lament the weaponized ignorance of the propagandized American citizen, while ‘Awaken’ and ‘The Path’ muse on escapism and the false protection of dreams. On the title track, ‘Dark Waves’, the band channels this mood of bitterness through their instruments, as a meditative bridge is slowly transformed into a foreboding storm front centered around Dave Fullerton’s hypnotic guitar melodies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDespite the apparent darkness, \u003cem\u003eDark Waves\u003c\/em\u003e is not a cold or desolate sounding record. The band leaps forward from their previous releases with warmer, brighter sound crafting and more audacious songwriting. There are passages with a tangible sense of jubilation and excitement, as the band members revel in the recording process after more than a year of uncertainty and frustration. 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The result is a record that sees Black Lung rising to new sonic heights.\u003c\/p\u003e\n\u003cp\u003eFor fans of: All Them Witches, Queens of the Stone Age, The Flying Eyes.\u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Purple vinyl. Limited to 450","offer_id":42276965122200,"sku":"","price":38.98,"currency_code":"USD","in_stock":true},{"title":"Black\/White\/Red ASide\/BSide. Ultra limited to 150","offer_id":42276965154968,"sku":"","price":49.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/products\/BlackLung-DarkWaves.jpg?v=1667583437"},{"product_id":"steven-dayvid-mckellar-nama","title":"Steven Dayvid McKellar - NAMA","description":"\u003cp\u003e\u003cstrong\u003ePUT THIS IN YOUR DEN for an album that deftly merges neo soul singing over IDM beats, and an indie rock sensibility. 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Like the best dream pop records, this one has edge with dark twists to balance out the sweet, soaring guitars. Who would have guessed Alvvays would be able to put out an album even close to their previous record, \u003cem\u003eAntisocialites\u003c\/em\u003e? Another essential release from this Den of Wax favorite.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMarbled blue wax\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAlvvays\u003c\/strong\u003e never intended to take five years to finish their third album, the nervy joyride that is the compulsively lovable \u003ci\u003eBlue Rev\u003c\/i\u003e. In fact, the band began writing and cutting its first bits soon after releasing 2017’s \u003ci\u003eAntisocialites\u003c\/i\u003e, that stunning sophomore record that confirmed the Toronto quintet’s status atop a new generation of winning and whip-smart indie rock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGlobal lockdowns notwithstanding, circumstances both ordinary and entirely unpredictable stunted those sessions. Alvvays toured more than expected, a surefire interruption for a band that doesn’t write on the road. A watchful thief then broke into singer Molly Rankin’s apartment and swiped a recorder full of demos, one day before a basement flood nearly ruined all the band’s gear. They subsequently lost a rhythm section and, due to border closures, couldn’t rehearse for months with their masterful new one, drummer Sheridan Riley and bassist Abbey Blackwell.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt least the five-year wait was worthwhile: \u003ci\u003eBlue Rev \u003c\/i\u003edoesn’t simply reassert what’s always been great about Alvvays but instead reimagines it. They have, in part and sum, never been better. There are 14 songs on \u003ci\u003eBlue Rev\u003c\/i\u003e, making it not only the longest Alvvays album but also the most harmonically rich and lyrically provocative. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere are newly aggressive moments here—the gleeful and snarling guitar solo at the heart of opener “Pharmacist,” or the explosive cacophony near the middle of “Many Mirrors.” And there are some purely beautiful spans, too—the church- organ fantasia of “Fourth Figure,” or the blue-skies bridge of “Belinda Says.” But the power and magic of \u003ci\u003eBlue Rev\u003c\/i\u003e stems from Alvvays’ ability to bridge ostensible binaries, to fuse elements that seem antithetical in single songs—cynicism and empathy, anger and play, clatter and melody, the soft and the steely. The luminous poser kiss-off of “Velveteen,” the lovelorn confusion of “Tile by Tile,” the panicked but somehow reassuring rush of “After the Earthquake”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe songs of \u003ci\u003eBlue Rev\u003c\/i\u003e thrive on immediacy and intricacy, so good on first listen that the subsequent spins where you hear all the details are an inevitability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis perfectly dovetailed sound stems from an unorthodox—and, for Alvvays, wholly surprising—recording process, unlike anything they’ve ever done. Alvvays are fans of fastidious demos, making maps of new tunes so complete they might as well have topographical contour lines. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBut in October 2021, when they arrived at a Los Angeles studio with fellow Canadian Shawn Everett, he urged them to forget the careful planning they’d done and just play the stuff, straight to tape. On the second day, they ripped through \u003ci\u003eBlue Rev\u003c\/i\u003e front-to-back twice, pausing only 15 seconds between songs and only 30 minutes between full album takes. And then, as Everett has done on recent albums by The War on Drugs and Kacey Musgraves, he spent an obsessive amount of time alongside Alvvays filling in the cracks, roughing up the surfaces, and mixing the results. This hybridized approach allowed the band to harness each song’s absolute core, then grace it with texture and depth. Notice the way, for instance, that “Tom Verlaine” bursts into a jittery jangle; then marvel at the drums and drum machines ricocheting off one another, the harmonies that crisscross, and the stacks of guitar that rise between riff and hiss, subtle but essential layers that reveal themselves in time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEvery element of Alvvays leveled up in the long interim between albums: Riley is a classic dynamo of a drummer, with the power of a rock deity and the finesse of a jazz pedigree. Their roommate, in-demand bassist Blackwell, finds the center of a song and entrenches it. Keyboardist Kerri MacLellan joined Rankin and guitarist Alec O’Hanley to write more this time, reinforcing the band’s collective quest to break patterns heard on their first two albums. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe results are beyond question: \u003ci\u003eBlue Rev\u003c\/i\u003e has more twists and surprises than Alvvays’ cumulative past, and the band seems to revel in these taken chances. This record is fun and often funny, from the hilarious reply-guy bash of “Very Online Guy” to the parodic grind of “Pomeranian Spinster.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlvvays’ self-titled debut, released when much of the band was still in its early 20s, offered speculation about a distant future—marriage, professionalism, interplanetary citizenship. \u003ci\u003eAntisocialites\u003c\/i\u003e wrestled with the woes of the now, especially the anxieties of inching toward adulthood. Named for the sugary alcoholic beverage Rankin and MacLellan used to drink as teens on rural Cape Breton, \u003ci\u003eBlue Rev\u003c\/i\u003e looks both back at that country past and forward at an uncertain world, reckoning with what we lose whenever we make a choice about what we want to become.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe spinster with her Pomeranians or Belinda with her babies? The kid fleeing Bristol by train or the loyalist stunned to see old friends return? “How do I gauge whether this is stasis or change?” Rankin sings during the first verse of the plangent and infectious “Easy on Your Own?” In that moment, she pulls the ties tight between past, present, and future to ask hard questions about who we’re going to become, and how. Sure, it arrives a few years later than expected, but the answer for Alvvays is actually simple: They’ve changed gradually, growing on \u003ci\u003eBlue Rev\u003c\/i\u003e into one of their generation’s most complete and riveting rock bands.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 400px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2669156137\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/alvvays.bandcamp.com\/album\/blue-rev\"\u003eBlue Rev by Alvvays\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Default Title","offer_id":42322500288664,"sku":"","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/products\/d337075261e02146cbc72c2a196d575e82bc5761_0f5986ec20a9d63f311daeba347672ffa7a6eea2_medium_jpg.jpg?v=1669159566"},{"product_id":"ruby-the-hatchet-fear-is-a-cruel-master","title":"Ruby The Hatchet - Fear Is a Cruel Master","description":"\u003cp\u003e\u003cstrong\u003ePUT THIS IN YOUR DEN for one of the best contemporary psychedelic stoner bands. 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Yet guitarist and vocalist Håvard Jørgensen is the musical mastermind behind both, \"Kveldssanger\" and \"Haavard\", which means that his debut album as a solo-artist is in part a legitimate follow-up to ULVER's folkish excursion into acoustic sounds that he realised with the help of many excellent guest musicians – including vocals by Kristoffer \"Garm\" Rygg.\u003c\/p\u003e\n\u003cp\u003eUnder the banner of HAAVARD, the Norwegian continues his unique artistic approach that unveils the epic and sublime melodies, which are deeply rooted in his native land's folklore. Through its acoustic and largely instrumental translation, Jørgensen lays bare the spectacular layers of cinematic beauty that hide underneath Norwegian black metal.\u003c\/p\u003e\n\u003cp\u003eThroughout the 90s, Jørgensen was an integral part of Oslo's fast rising black metal scene. 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With a longstanding impact on Japanese rock music and a distinctive local sound, this is an extremely important psychedelic rock album that any fan of the genre absolutely needs in their collection.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable on \"almost transparent blue\" wax\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOperating out of a small upstairs space just around the corner from the train station in the Kichijoji neighborhood of Tokyo, OZ was a scruffy, DIY affair that lasted not much more than a year. Between June 1972 to September 1973, the café and performance space became the nerve center for the city’s burgeoning underground and counterculture set.\u003c\/p\u003e\n\u003cp\u003eHadaka No Rallizes, aka Les Rallizes Dénudés, the psychedelic noisemakers originally from Kyoto, was one of the marquee names at OZ. Led by the enigmatic Takashi Mizutani, the now-legendary band was one of the earliest bookings for the venue, and would ultimately close out OZ Last Days, a raucous five-day blowout to celebrate the short but wonderful world of OZ. To commemorate the occasion, recordings made at OZ were released as \u003cem\u003eOZ DAYS LIVE\u003c\/em\u003e, a private press 2LP set featuring Miyako Ochi, Acid Seven, Masato Minami, Taj Mahal Travellers, and four tracks by the Rallizes—which constituted just a fraction of what had been recorded at the time. For nearly 50 years, these songs remained the only official appearance of the Rallizes on vinyl LP—until now.\u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eThe OZ Tapes\u003c\/em\u003e, we are finally able to hear the missing pieces. Stored on reels of Scotch analog recording tape, these recordings had laid dormant in storage for almost half a century. 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While there are touches of throwback alternative sounds reminiscent of 90s mainstream rock, Greet Death brings their own undeniable flavor to the slowcore scene, full of sour notes and uplifting hooks. For fans of Slowdive, Ride, Hum.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eAvailable on purple \/ black mix, limited to 500\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGreet Death is a four piece shoegaze band from Flint, Michigan.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"New Low\" is a new 5 song 12\"EP from Greet Death. The first four singles from this session were released digitally over a span of months in 2021 into 2022, leaving the title track exclusive to this final collection. 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FFO: Seaweed, Drug Church, Anxious\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable on orange\/black mix limited to 300 or transparent green limited to 700\u003c\/p\u003e\n\u003cp\u003eBrandon Williams makes resonant songs that capture isolation and resilience. As the songwriter behind Chastity, the Whitby, Ontario musician has made three unrelentingly perceptive albums culminating in the cathartic Suffer Summer, which is out January 13, 2022 via Deathwish and Dine Alone Records. The LP caps off an album trilogy that showcases both Williams’ emotional range as a lyricist but also his boundless love of outsider music. His 2018 debut Death Lust pulled from Unwound and The Smashing Pumpkins as he grappled with mortality while 2019’s Home Made Satan dealt in world-weary anxiety and Hum-like atmospherics. 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Written as a tribute to his longtime friend who died of an overdose, Williams sings, “You and I were alive at the same time \/ I’m lucky for it \/ You showed me the Misfits and we sang Out 'Last Caress’ \/ I’m lucky for it.” It’s raw and gutwrenching in a way that Williams has never allowed himself to be but writing about grief proved to be cathartic for him. “Until now I’ve always tried to keep a safe arm's length away from the real-life content of my songs but on that song, I couldn't,” said Williams. “It was just a needed tribute to him.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor any artist, taking risks, trusting your intuition, and relinquishing control is a delicate balance but for these songs, Williams knew he needed to step out of his comfort zone by making his writing more collaborative. He enlisted one of Chastity’s earliest and most vocal supporters PUP frontman Stefan Babcock to co-write opener single “Real World” and LP highlight “When You Go Home I Withdrawal.” Both songs find Williams stretching his voice for surging choruses that are anthemic and immediate. “It was so great to work with Stefan: just his attention to detail, song structure, and everything,” said Williams. “He’s a legend and has pumped my tires so much in an actual practical way that has given me courage throughout Chastity.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBabcock isn’t the only surprise collaborator on this LP. Alexisonfire and City and Colour’s Dallas Green appears as a guest vocalist on “Vicious Circle,” the emotional centerpiece of Suffer Summer. The song, which Williams co-wrote with his partner Ellis’ Linnea Siggelkow, boasts some of his best writing (“Borrowing an old feeling to cover the pain \/ Can’t keep memories of only the good things,”) and when Green joins to sing the second verse, it makes for the most transcendent moment on the LP. “After we put strings on this song it was just too damn beautiful for my voice,” said Williams. “Dallas’ voice reached right into that beauty. 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With a wall of sound melding into infectious hooks, you'll be spinning this one on repeat. FFO: Catherine Wheel, Basement, Sunny Day Real Estate\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable on transparent blue EP, limited to 200\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOn “A Wishful Thing”, Broken Head is joined by new team members: drummer Evan White and studio producer, Trevor Reilly. The two help to bring out even more rhythm and dynamic from Broken Head’s already infectious choruses and melodies. 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Rock out with your rubber ducky out!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAvailable on white in clear OR black in clear wax\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFleshwater paint in broad strokes of alternative, shoegaze, electronic, post-hardcore, and off-kilter pop splashed against a tight sonic canvas awash in vibrant colors and visceral textures. Their songs unfurl with all the unpredictability of a living entity (and you can never quite put a finger on where they’ll go next). The moment you press play, it’s as if they appear in a rush of emotion, only to disappear back into a ghostly ether once the record stops.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs such, the Lowell, MA quartet—Anthony DiDio [vocals, guitar], Marisa Shirar [vocals], Matt Wood [drums], and Jeremy Martin [bass]—balance the intimate inhale of male-female harmonies with an overpowering exhale of distortion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNow, they materialize in 2022 with nine songs on their full-length debut, \u003cem\u003eWe’re Not Here To Be Loved\u003c\/em\u003e on Closed Casket Activities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e“It’s ambiguous,” notes Anthony. “It’s like the music is attached to the mood rather than lumped into a genre. There are so many different elements. 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The band mined a kaleidoscope of influences, ranging from Hum, Deftones, Sunny Day Real Estate, and Far to Björk, and they ultimately arrived at an ethereal signature style of their own punctuated by gnashing grooves and anesthetizingly gorgeous vocal conjurations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarely cracking the one-minute mark, the single “Kiss The Ladder” pulsates with glowing guitar and Marisa’s hypnotic chant, “Now I don’t want to be anyone.” “Backstairs Breathing” begins with creaky clean guitar and melodic verses from Anthony. It gives way to an urgent refrain as both voices entwine, “Become a memory next to me.” A snappy distorted rumble underlines the insidiously catchy “The Razor’s Apple” catalyzed by Marisa’s gauzy, yet guttural delivery. It spirals past a head-nodding drum breakdown on the back of knife-point precise riffing. “It’s my favorite vocal performance by Marisa,” he adds. “We’re definitely excited to play it live.\" Crossing the five-minute mark, “Foreign” leans into a punchy riff as Marisa and Anthony lock into one last cathartic call-and-response on the chorus.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the end, Fleshwater are unlike anything you’ve ever heard—and it’s why the experience of listening to them will belong to you alone. “I want people to have their own experience with Fleshwater’s music and let it take them for a ride,” Anthony leaves off.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Den of Wax","offers":[{"title":"Clear with black marble","offer_id":43356796027032,"sku":"","price":39.99,"currency_code":"USD","in_stock":false},{"title":"White in Clear","offer_id":45502746362008,"sku":"","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/8689\/0392\/products\/Fleshwater-We_reNotHereToBeLoved-Cover_800x_79c50fcb-bb63-4b1b-9299-4cc38cc4a786.webp?v=1675740844"},{"product_id":"m-u-t-t-bad-to-the-bone","title":"M.U.T.T. - Bad to the Bone","description":"\u003cp\u003e\u003cb\u003ePUT THIS IN YOUR DEN for a straight up fun record full of thrashy punk. 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Pencey Sloe continues to build a strong catalog, displaying how to meld gentle soundscapes with heavy rhythms, and just a touch of psychedelia. This is a perfect example how a somewhat \"mellow\" band (not really though) can be considered just as metal as blood-curdling screaming. \u003c\/strong\u003e\u003cstrong\u003eFeaturing Neige (Alcest) and Justin K. Broadrick (Godflesh, Jesu). Highly recommended!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvailable on crystal clear and solid gold limited to 200 or black wax\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWho am I? This is the essential question that PENCEY SLOE explore on their sophomore full-length \u003cem\u003eNeglect.\u003c\/em\u003e The Parisian dreamgaze rockers have dedicated their entire new album to the theme of identity. While founding-member, singer, and guitarist Diane Pellotieri is the main songwriter for PENCEY SLOE, her collaboration with new drummer and percussionist Clément Hateau has overall been much closer than with the previous line-up of the band. The result of this joining of musical forces is a more mature and complex sound. Although the French continue on their path of cinematic soundscapes and beautiful psychedelic colors, their occasional drifting into darker spheres and the perfect balance between Diane's vocals and meandering guitar textures create a sonic world of their own design. While the guest-contribution of ALCEST frontman Neige on 'The Run .I' is a welcome nod to the friendship that their compatriots have exerted on PENCEY SLOE, the inclusion of Justin K. Broadrick from among others GODFLESH and JESU is a more subtle pointer to an inspirational musician for the duo. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePENCEY SLOE were conceived in the French capital of Paris in 2017. The name was in part inspired by J. D. Salinger's famous \"The Catcher in the Rye\". In the same year as the band's inception, a 5-track eponymous EP was self-released in 2017 and their acclaimed debut album \u003cem\u003eDon’t Believe, Watch Out\u003c\/em\u003e appeared in 2019. With \u003cem\u003eNeglect,\u003c\/em\u003e PENCEY SLOE embark on a dream-like journey into the dangerous waters of identity. Who we are, who we want to be, and as who we want to appear to others might not be the same. Diane Pellotieri's voice offers musical guidance, driven by subtle drumming, and carried by a stream of guitars. 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With a core of former members of Crippled Black Phoenix (including vocalist\/guitarist Daniel Änghede), as well as members of other well known metal band, these veterans have crafted a layered and complex collection of songs for their debut. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable on 2xLP crystal clear wax, limited to 500 copies\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eStand in Your Light\u003c\/em\u003e is a work of love. Passion drips out of every note from the bitter-sweet honeycomb of solemn melodies that VENUS PRINCIPLE have created for their debut album. Although this is the first record from the British-Swedish collective, these hymns for the burdened and broken come audibly with the profound maturity of hard earned experience from all the veteran musicians involved. 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